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The union of Marvel with Netflix is at the origin of some of the best television hero series, but it is difficult to leave out some mistakes made during this partnership, usually in The one who was saved was Daredevil who followed in 2016 the season acclaimed by a confrontation both physical and ideological, since the man without fear would confront Frank Castle, the Punisher in a saga of chapters that dealt with both the differences in methodology of the two militia and the fact that the violent ex-soldier was actually a man driven to the Extreme by the death of his family. It was an excellent season for the novelties, discussions and narrative elements presented, and it is all the more ironic that the second year of Punisher's solo series is the one that presents the fewer risks or innovations. The return of the program brings Castle ( Jon Bernthal ) to try to create a new life after having been persecuted by almost all the institutions of the American right. Using the name of Pete Castiglione, he scours the interior of the United States aimlessly, stopping at a bar along the road to listen to music and even to spend time with a woman. This is one of the rare moments when Castle seems happy, after internalizing – but not exceeding – his mourning for his wife and children. This makes it even more tragic when he is relocated to his violent daily life by preventing a group of attackers from abducting a girl.
So after a fight in the bar's bathroom, Castle came back to what he was before. It's as if the punisher only existed because he was immersed in a cycle of violence. He wants to go out, but he does not know how to get out of it because he really likes what he's doing. This is an interesting approach, already explored in comics, but whose use is still very different in movies and television, where the character has always been described as a killing machine, solely motivated by mourning. This change, however small, is reflected in Bernthal, who is much more at ease in his role, clearly taking advantage of scenes of fighting or knowing how to maintain a threatening effect even in the quietest moments.
Take pleasure in killing "humanizes" Frank, even if disturbed, since he again evokes the idea that the Punisher is simply a competent and highly motivated man. He only has to make connections with other people, like Amy ( Giorgia Whigham ), the rescued girl. Their friendship is truncated in the early episodes, but quickly evolves into a relationship between mentor and apprentice that combines humor and scary moments, so as not to let the viewer forget how dysfunctional the protagonist is. The only problem is that the bow could be better explored and have more importance. Instead, the production chooses to ignore Castle's internal and social conflicts to confront some villains.
The Enemy Now Is Another
The great confrontation promised to the new wave of episodes is between Punisher and Retail, his disfigured antagonist of comics. Billy Russo (19459003) Ben Barnes loses all his memory after being almost murdered by Castle. Instead of replacing him with a ruthless crime boss, Billy Russo (19459003) is a narrative mechanism that further delays the intrigue of what deepens the character, during more than half of the chapters (eight d & rsquo; To be exact) without offering any kind of new perspective. If visual characterization – a joke, compared to the comic and emotional weight that Russo gives to his "disfigured face" – does not help, Barnes' performance does not hold the bar either. In the past, the actor has proved that he removes idiots and treacherous letters, whether in Westworld or even in the first year of Punisher but he does not have the emotional charge necessary to live a criminal. unstable and devoid of character, resulting in countless situations in which Retail should look horrible, but this may sound hysterical and half ridiculous. It is clear that Marvel's television program of "reducing to zero" the characters' progress, rather than developing them over the seasons, no longer works – until Frank Castle grew up in Daredevil but had to return to bitterness at the beginning of their solo series.
Another typical mechanism of the company's Netflix programs is to have two bad guys per season. If the retail trade is misused here, then John Pilgrim (19459004) of Josh Stewart (19459005) no longer matters. As a Nazi priest, he appears to have come from a headquarters of Garth Ennis but he can never be skillful, threaten or reveal his motives and goals by his actions – these, to their turn, only are spoken in the last episodes. For almost the entire duration of the program, Pilgrim serves only as a castle and Amy's "The Great Enemy Who Chases," an excuse to badert that there is a "greater threat" than Russo for s & # 39; ensure that the duo are still on the run and provide men for the Punisher to kill. It is interesting to note that Pilgrim still wins the fight against the most exciting protagonist of Russo – but in the end, none of them is sufficiently striking or perverse to justify the 13-hour accompaniment of this narrative.
The length of the Marvel series on Netflix is a subject of public debate, but it does not matter when the plot is intriguing and engaging. This is not the case with the second season of Punisher which shows having little history to count for so long. Production always seems to have taken a step back from the first year, which had at least attempted to debate real issues, ethics and effectiveness of the protagonist 's actions (even without s & # 39; be committed to taking a position). Coupled with tedious arches, such as the endless relationship between Russo and his psychologist Krista ( Floriana Lima ), as well as the surprising absence of graphic violence and scenes of life. memorable action, the result is a tedious journey of Frank Castle who waits
Given the dramatic split between Disney and Netflix, it is sad to think that Marvel does not have to. may not have another chance to deliver a story of Punisher Jon Bernthal. at the same level of excellence as its introduction in Daredevil . In the unlikely event that this is not the end, we can hope that Castle will eventually win the violent and daring adventures that he really deserves.
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Punisher
Ongoing (2017-)
Punisher
Ongoing (2017-)
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