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The first week of the week at 7:00 am on Globo, Summer 90 uses the nostalgia device to captivate the audience, starting with the grand opening, which magisterially draws a brief overview of what was the beginning of the years 1990. that no novel is made only of opening and that nothing constitutes a list of references when the central story is not strong enough to last at least six months in the air.
The saga of former members of the band Patotinha Mágica, a group for children that was successful in the 1980s, is far from original. Finally, the central trio, formed by Manuzita (Isabelle Drummond) and brothers João (Rafael Vitti) and Jerônimo Guerreiro (Jesuíta Barbosa), is somewhat unbalanced.
Although he has an important role to play, that of the ugly Social Ascendant, Jesuita Barbosa seems to be reinterpreting himself.
Rafael Vitti, on the other hand, has a charisma, but he lacks fantasy. , something that he can acquire throughout the plot. And Isabelle Drummond, the most experienced of the three performers, holds the rojão, although she continues to skate to become a comedy, a news of her career.
Even the most experienced retailers are not immune to errors. Claudia Raia, the great promise to draw the glances of intrigue, is some tones with Lidiane, another woman smashed in her long list of comic characters. The artificial accent, simulating the typical squeak of the carioca speech, does not convince and, for an actress of her size, it is indispensable. But we must recognize that for the first chapters, it was clear that Claudia had the unpleasant task of carrying the novel backwards.
The summer of '90 is also a step forward from Mexicanization with the bad Mercedes (Totia Meireles), character The matriarch who controls the family's affairs with a steady hand has something of Odete Roitman , the iconic villain played by Beatriz Segall in Vale Tudo (1988), who also served as a reference to compose the story of Jerome and Janaína (Dira Paes)
But imitate the clbadic Gilberto Braga, Aguinaldo Silva and Leonor Bbadères may be a kick in the foot, mainly because the text of Summer 90 is almost like a child learning to babble the first syllables. Finally, unlike the soundtrack, which, despite some anachronistic mismatches, is good and transports the public in the past, the mood and costumes are not to be desired, with some artificial in the air . The impression is that the production suffers from lack of money, as much by the simplicity of the scenarios.
But there is something to save in the rubble of a summer storm. Dira Paes found the exact tone of Janaína, the courageous mother who will suffer from the rivalry of the children and the consequences of economic instability of the early 90s. It is safe and without exaggeration, c & # 39; it's up to her to hold the dramatic story quota.
PopTV, a fiction broadcaster dedicated to video clips, is an explicit tribute to good and bad MTV Brazil. Such a kernel has everything to do with wagering on the good clips played in loop when Summer 90 is set. Again, it is worth highlighting the nostalgia of an era that does not return to the detriment of history.
In the best style "Speak well or bad, but talk about me", we will certainly remember the summer of '90. It's just great that it's not the best way … [19659011] window.fbAsyncInit = function () {
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