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This snap of fingers. These ashes. The last words on the big screen: "Thanos will come back." The Desolation at the end of The Avengers: Infinite War a movie released in April this year, is one of those in the head – and if not because the player does not did not watch Marvel Studios' latest film,
After a movie finale to dry the public swallow and deliver the best villain Marvel in theaters, the studio decided on lightness. Thus, Man-Ant and the Vespa appears, a very important movie within the film and Hollywood world, to give the protagonism due to a character as crucial as the Vespa, lived by Evangeline Lilly. But Peyton Reed's movie seems to come back a few houses in the evolution presented in the previous movie. We return to the focus on comic moments – and Paul Rudd's Ant-Man mastered his timing – and sins again by delivering an antagonist capable of creating a sense of empathy. In the absence of one, there are two (maybe even three) and everything will be forgotten next summer.
Ant-Man and Vespa had a huge responsibility on the shoulders to continue the plot of Avengers. The focus is on another: explain where the hero was able to shrink and become giant during the battle against Titan Thanos. Of course, there is a link between the films, but the story of Formigão revolves around another axis.
The lightness, Marvel knows well, is welcome and smile, great to conquer. The fault is Infinite War which shows how the studio can do more. It seems, after all, that Ant-Man and the Vespa is a movie out of his time. It should have been released about six months before Thanos arrived on Earth, collecting the Joys of Infinity, and changing the Marvel story in theaters – and raising the bar with a superhero movie. (f, f, f, f, f, f, f, f)
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