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PARATY, RJ (FOLAAPRESS) – Wearing black shoes and a hat, the writer Liudmila Petruchévskaia, 80, is mocked by her interviewer, heard the fiu-fius of the audience, sang "Mucho Besame" and said that she loved the kittens "pbadion."
This was another day in the life of the Russian horror queen, one of the highlights of this edition of the literary festival: "And children too, because you can get on your knees". of Paraty. She comes to Brazil in the trailer of "Once upon a time a woman who tried to kill the neighbor's baby" (Companhia das Letras), a collection of morbid tales and sinister tales that drinks folklore from her country and scars. decades of authoritarianism.
The writer was 3 years old when the Second World War began and saw three people in the family die, others were arrested. "And we were hungry: a loaf was to last several days and serve many people." At night he went out looking for fish bones, pieces of bread and potatoes in the trash cans.
But he opened a boot, these "years were not bad". "I learned to flee, I learned to beg, I did not learn to fly, I do not know until today."
She says she learned to tell stories with her grandmother in bed, who had a "phenomenal memory" of Nikolai Gogol's words. She also helped to rely on what Petruhevskaya calls the "elephant ears".
"They are the main part of my being. These ears tell me their stories. They are sometimes hidden while listening and noting People tell scary stories. "
Forbidden in their country until the age of 50 – their writing did not correspond to the aesthetic guidelines of the communist regime – Petruyshevskaya spoke little of their status as outlawed. A certain point in the conversation, she hardly formulated whole sentences
The table mediator, the Portuguese Anabela Mota Ribeiro, had difficulty in being understood by the son of the writer who translated the questions. The artist Fyodor Pavlov-Andreievich spent his time in Sao Paulo and spoke Brazilian Portuguese well, but he had trouble understanding the questions.
Petruhevskaia also seemed unwilling to answer. made his show, giving sharp answers.
His relationship with animals, always present in the stories? "I love kittens, little ones, love kittens with pbadion, and j & # 39; 39, loves children, whatever they do, e And why you can pick them up. "
On fear, which permeates their stories, fears" of everything ". At age 10, the other children did not like him. "I was loose from the street, wild, they had a house." The weapon he had, he said, "was to create poems about the country." But soon he added: "If a writer writes to promote his homeland, for good and wonderful people, it is not to be a writer."
He ended the night singing with the air of a diva and taking a few steps. He piled up songs in French – in addition to some English excerpts from "Only You" – as part of the audience applauded the rhythm of the song and another debuted in the audience.
In the back, a boy could not stand it: "I'm going to the locker room!"
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