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Three strangers at nest
Waiting has become the worst enemy of moviegoers. In our childhood, we were waiting for a movie and when we received it, the guarantee of happiness was almost right. Did these films really meet our expectations or were our critical senses very low in our childhood? Well, a bit of both. The films Batman Tim Burton (1989-1992), for example, have made many children of this generation happy and remain good examples of the genre that has been preserved to this day for adults. Productions like Street Fighter – The Last Battle (1994), Super Mario Bros (1993) and Mortal Kombat (1995) used only our nostalgia and emotional memory
In adulthood, it is the same, perhaps a little more difficult to overcome than by the aforementioned elements (nostalgia and emotional memory). So, this concept that "ah, you went there with a lot of expectations", "the hype was awesome", "was disappointed because I was expecting too much", no glue. Yes, with regard to certain films, it is impossible to remain indifferent. But that does not mean that he can not live up to his expectations. Avengers: Infinite War is a good example. A Silent Place Hereditary and Run! We were expected a lot, for various reasons, and we were given a lot. But regardless of any other factor, we have to stay true to what we actually get from a movie – regardless of the director, the actor or what it's all about the following. A production we expect too much.
Of course, we wanted all films to have the right impact. After all, for those who watch a lot of movies, the majority (or all) would be the ideal shot. But disappointment is part of it. What would be the good movies without the bad ones. A few months later, some of the movies they were waiting for just came to break that investment period, imagining the commitment they were going to make. The Predator and Halloween two movies directly related to the personal story of many of us as moviegoers, have released new copies that have sucked our happiness through the screen. Well, all this gigantic introduction to warm up the engines and finally talk about Glbad – a path that you already imagine that I will follow.
Glbad is the direct sequence of . Fragmentado (2017), thriller that shot director Mr. Night Shyamalan again in astro. The big surprise of this film was to be a continuation and not the original material sold during the screening. Fragmented was in fact the second episode of the trilogy begun in Corpo Closed (2000), planned for decades by the filmmaker. Once the two groups have joined the same universe, here is the long-awaited sequel to this story. And the result is only disappointing. This does not mean that we are facing a new film The Lady at the Sea (2006) or End of Times (2008).
The new film just without inspiration. It's as if, again, Shyamalan had full confidence in his power to be at the top of the world and did not have to push so hard for the public to get throws at his feet. The plot – very unusual – of this sequel spends a lot of time fantasizing A stranger in the nest (1975) and eventually forget to deliver what the public really wanted to see. Yes, it is the break of expectations, the traction on the carpet that Shyamalan so much like to accomplish. The problem is that it has not worked so well for him in the past, limiting the general public to a small number of enthusiasts who treat their works with religion.
However, the impression that remains is that of stagnation – whether the characters and the plot remained in the status quo without evolving. Nothing new is attempted, and the conflicts presented are exactly what you deduce by simply looking at the poster. And predictability is the worst adjective that a filmmaker can receive. In monotonous parts, Glbad waits for the beginning of a new march, then the film ends.
The director hammers out here his philosophy of the comic book History on human evolution – a subject treated with much more subtlety 20 years ago in Body Closed . This is just an example of the recycled material that Shyamalan uses to serve us this warmed dish. Fragmentado is truly a creator in the filmmaker's filmography, whose genre, number, and degree differ from those he had presented in Closed Body . It is precisely for this reason that they are two brands of his program. There is no daring here. Dare to get out of the box and follow a third path, totally opposed to this continuation. In the present state of things, it would seem that this was what suited the concepts of the one and the other and that mixed, repeating without adding.
As for the actors, Samuel L. Jackson ] as Elijah, and Sarah Paulson as Dr. Ellie Staple are the highlights. Bruce Willis is right in return, David Dunn, and the weaknesses are precisely the actors of Shard . Although Anya Taylor-Joy is not obliged to be present – this is her lack of reason in the story – James McAvoy who brilliantly stole the scene in the film quoted he is only repeating his routine without the original brightness and in most scenes he grumbles without a shirt favoring the less interesting character of his repertoire: the Beast
Lack of energy and creativity in Glbad . The director's concern to close this story was greater than making his own film. There is no point in entering the country of the famous twists – for which Shyamalan is very badociated – because here, when they are not nonexistent, they do not have a lot of sense. Glbad does not stand up, unlike the character of Jackson and ends with the feeling that he was missing a lot.
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