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Ask anyone who makes imitations what is the key to success. He or she will explain that you are still looking for a "mark" of imitation: a physical trait, a cacoète or a "tic" of the person to imitate, to help build the character.
To mimic the American actor Robert De Niro, for example, the phrase is "Are you talking to me?", Celebrated by his character in the movie Taxi Driver. In the case of the British singer Adele, it's her particular laugh.
For actor Rami Malek, turning into Freddie Mercury was as easy as learning to say "awlright" – the peculiar way that Mercury was to pronounce the English word "alright" (meaning "all right" or "agreement").
On the set of Bohemian Rhapsody, the "awlright" of Mercury / Malek became a kind of pbadword allowing the actor to say he was ready to move on.
"When people on the set heard me say" quite clear, "it meant" let's move on, let's do it! " "" Malek says.
But the representation of the star queen by the American actor is much more than an imitation.
Malek dominates or the grimaces and the characteristic attitude of Mercury on the stage
Looking at the reenactment of Queen's show at the Live Aid concert in 1985, it's easy to see what's going on. forget that you do not see the real performance.
The interpretation also took into account the psyche of the singer to reveal a vulnerable and anxious soul of someone who gives up his no m of birth, Farrokh Bulsara, and whose alter ego only wakes up in front of the spotlight.
"There is something very agitated about him," says Malek.
"She has a pbadionate side, she wants to be part of a community, to find love, camaraderie … but in a way, there is a sense of distance. "
It was difficult to discover the true Mercury. It is known that he was irritable in press interviews, which he considered a task and in which he described himself as a "dandy" and a "musical prostitute", rather than talking about intimate things .
In 1991, mercury caused premature death due to AIDS-related pneumonia. And he left no autobiography that reveals the details of his deepest thoughts.
"I kept looking for ways to reach the man, then I realized that he had left us a diary: all his songs," Malek said. .
Two of the most telling songs are "Lily of the Valley" and "You Take My Breath Away", both quieter and more contemplative than bullet proofing "Do not Stop Me Now "or" Another One Bites ". Dust "
" Believe me, I insisted that these songs be in the movie because they gave me a lot of information about Freddie, "said the author. Actor. "But no one sings these two karaoke songs," he says.
The film is accused of hiding. [/ B] the "real Freddie Mercury" and deal only with their excesses: bad, drugs, parties with naked peasants and dwarves carrying trays of cocaine on their heads.
Others feared that Freddie's story was "heterobadualized". Despite the fact that the film shows her relationship with her de facto partner, Mary Austin, Mercury's hidden bibaduality is an essential part of the storyline.
"This is not a documentary," says Malek. "And we took licenses with the timeline (historical facts) because we had two hours to tell the story," he says.
"It was sometimes very complicated, and we had to ask ourselves," Should we show him as a child in Zanzibar (on the African coast)? "," Let's show it at St. Peter's boarding school (India)? "These things ended up being filmed, but we realized that our time was limited," he says.
"So it is that we have come to choose this period (presented in the film), which extends from the early 1970s to 1985. The idea was to celebrate this being human, "explains Malek.
Freddie Mercury at the Queen's Show at the Palais Omnisports in Paris C & # 39; is Bercy, September 1984 – Photo: Jean-Claude COUTAUSSE / AFP
It was impossible to doubt Malek's involvement in this role.
He pbaded a six-hour test, well before the film even got funding, and spent hours studying Queen's videos recorded by the band's fans for to understand Mercury's ways and to move about on stage [19659031] During the development of the film, Malek returns to London to take singing and piano lessons. also trained with a language teacher and choreographer Polly Bennet, who suggested that the actor study the people who inspired Mercury: Jimi Hendrix, David Bowie and, more importantly, Liza Minelli in "Cabaret".
Malek also had to get a new dentition.
As the film explains, Mercury was born with four more incisors, which pushed his upper teeth and made them stand out – but, according to the singer, also gave an extra resonance to his voice.
The actor asked that his teeth be infected months before filming the film. He used the accessory in the moments between the recordings of the television series Mr. Robot, in which he also played. The goal was to make sure his conversation with the teeth would be natural in Bohemian Rhapsody's recording.
All this hard work has paid off. The first critics were divided on the quality of the film (Kyle Buchanan of the New York Times called the film "glorified version of an entry from Wikipedia"), but everyone is not sure about the quality of the film. agreement on Malek's outstanding performance.
"If the idea was to firmly place Rami Malek among the best Oscar nominees for best actor," wrote Pete Hammond of Deadline magazine, "the mission was accomplished".
And this is remarkable for the problems encountered in producing the film.
When Malek arrived in the United States, Malek returned to the United States for the first time. the project, three main actors had already abandoned the task; several scripts had been rejected and two high-level directors had already left the boat.
Then, with only 16 days left, director Bryan Singer was fired for his erratic behavior after not appearing in the studio.
It was up to director Dexter Fletcher to carry out the project, according to rumors, Singer and Malek reportedly had friction.
The actor admitted that he had "creative differences" on the set, but considers that the director's change is a minor setback.
The standard explanation given by Malek (presumably, approved by the studio), repeated in several interviews, is that he was accustomed to having several directors in Mr. Robot's recordings and that he did not have so no problem with change of director in "Bohemian Rhapsody".
"This is not new to me," he told the Collider website. "It's not a problem to have a new voice, especially in the final plan, while everyone is already tired," he said.
But if the previous news about the film focused on production issues, after the release of the first trailer, everyone was talking about the great transformation of Malek.
I ask Malek what part of Freddie Mercury he could not leave when the cameras stopped rolling.
"I believe in his spirit," says Malek. "This refusal to stereotype, to adjust to the norm," he says.
"I think he is a revolutionary, because it seems to me that he never allowed himself to be marginalized or split into a category," he adds.
"Basically, he did what we aspire to do as a society: not to be labeled, to be as authentic as possible without anyone being able to put us in a certain box," he says.
"He was reprimanded for that at the time, but look now and you will realize that he was a pioneer." He would say: "I will be myself, and if you do not like it, bad you! "
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