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In the literature, writers such as Caio Fernando Abreu and Herbert Daniel have reported the experience of who would inevitably develop AIDS today – at a time when people living with HIV have virtually the same life expectancy as those who do not live with the virus – it is necessary to rethink the
Alexandre Nunes de Sousa, professor of communication and culture at the Federal University of Cariri, coined the term " post-badtail literature ", thus marking the work done under the new perspective of badtails that began to be distributed after 1996 – and which have now been replaced by drugs such as efavirenz and, more recently, dolutegravir.
In the history of the AIDS epidemic, language has always been an important tool, either by press inks or writers. After all, because it's a disease that deals with stigma and prejudice, the way we refer can be literally fatal in some cases – terms that reinforce misconceptions, such as "AIDS" or "group to risk, "only the more the end of the epidemic because they spread misinformation. The language is a virus
It is no wonder that the writer William Burroughs wrote in The Ticket That Exploded : "The language is a virus of outer space. "A concept that was appropriated by Rio de Janeiro's poet Ramon Nunes Mello. "I discovered Burroughs' statement after I learned about this issue of thinking and writing about HIV," Ramon says.
"When I received the diagnosis [positivo para HIV] in 2012, I knew internally that I wanted to fix it. in my work For me, this question of language as a virus is not only in artistic creation, but in a more open way. Because I understand that when we talk, whether on a daily, militant or artistic basis, we are transforming the meaning that exists around the virus, which is driven by prejudices. "
Using in the title a reference to Caio F., Ramon Mello Try to understand what I'm trying to say (Bazaar of Time), an anthology that brings together 96 poets and not poets of different serologies, badual orientation, gender and race
/ I saw death / but what was done in me / in the real was occupation / yes, full of nature "; about trust and bad work, as in the poem of the writer and trans activist Amara Moira: "Trust me, I am married, blood donor and, for the sake of God, the first lock with me / I leave you. on the memories of a time when the virus seemed to be another being, as in the verses of the poetess Viviane Mosé: "Short time after person / Morria./ But for them he gave no time / Because they did not give. "
Poetry has a force that goes beyond the narrative, since it deals with subjectivity. "Poetry asks us more questions about the subject, so it opens more windows around the theme," he explains. "Poetry does not end the thing itself, it asks us questions and makes us emerge in it."
The organizer says that we can not confuse the anthology with a current portrait on the theme: updated as activists. So, it's no longer a living reflection of how people treat today, even by exposing their own ignorance. "
Ramon says that the importance of a work like this goes beyond the idea of filling a void in the literature. "Even though access is more restricted than a show, for example, I think the anthology helps to not restrict the debate. He brings the theme to all people, "he says." It's a pretentious proposition, but that's how we live. "
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