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After dealing with the birth of heroes and villains, Shyamalan explores the power of inheritance
I never understood why " Closed Body" had always been if badly evaluated. Tell me, I'm surprised that, especially nowadays, people say that they hate the movie. Internet has opened this Pandora's box which now allows the & # 39; & # 39; does not like to become a & # 39; hate & # 39; of hatred ". For me, it's one of the best things that Shyamalan did in many ways, better than "19459005" Sixth Sense & # 39; (the darling of all), for example
"Sixth Sense " is a well executed film, but prisoner of his formula: once you know the end, there is more nothing to add. " Closed Body ', on the other hand, is a structured film, it does not require climatic finish; Fragmentado ' is a very good movie characters In the trilogy, it looks like a " middle episode ".
", which goes back to the structure of the trip above the pyrotechnics and put on a simplicity allied to combo & # 39; homenagem-reverência-distorção from the world of comics, world nerd, geek in gasoline of his works as much as for his consumers
& nbsp; (which I wish to embrace and thank immensely for all the work that cries in the cinema, a thing that does not happen is not produced for a long time) invests in the ordinary person capable of the extraordinary, in the discussion of faith [foifoienl'otherelafoienledivinlafoienthesechosed'invisible-lbaditudememududoutwhichitplacesintentlyineverywork) and always takes and discuss on the couch.
He puts us in doubt, but does not doubt. loose ends. He deceives us because we want to be deceived. We need that.
His only sin is that even after being deceived, we want the reward and he refuses to give it to her, at least not with a kiss. The end of the film requires a sensitivity hard to find today in movies of the genre, or difficult to find in almost all types of film made. It takes a detachment, an understanding of the rules (like the fun game and super intelligent " The secret of the barracks " tried in the world of horror movies, but took the water, precisely, to be "too smart") and
The biggest benefit, which was little – when it was – seen and understood by most of the negative critics that came out today, is the Fear Discussion Announced
This is a discussion that " X-Men " have launched for decades in the midst of the issue of prejudices, but that does not go blank.
The terror of being small, fragile and incapable. A fear that "Mr Glbad" exposed in the first film while seeking his place in the world. It is not possible that he was simply born so for nothing. It could not be a mistake, it was just on the other side of a scale composed of exceptional creatures (each in his own way).
It finds its place and it is fantastic to see how this place justifies OUR place if we wish.
Science attempts to discredit the spectacular powers and peculiarities of these three individuals by the logic of the scientific method embodied in the figure of Dra Staple … but when he does so, Plunging them into this game of doubt and disbelief, he ends up corroborating, proving and justifying them.
It is difficult to say how much this work would have been different if it had not had its trio of protagonists
James McAvoy reduced, until almost canceled, any hiccups or gap in the change between one personality and another (and many others grow! It is going crazy). He is a monster on the stage, literally. For & # 39; Fragmented & nbsp; adopted without any recognition during the awards season. Apparently, the mistake must be repeated (I still hope not). It steals the scene throughout the first and second acts of the film, already in the third, can not compete with the brilliance of Jackson (which I will speak) with his melancholy plot.
If, on the one hand, David Dunn of ] Bruce Willis did not so shine, he rather served as a fill to justify the plot (agree that it is an evil of which practically, all the heroes, who have AWESOME bad guys), Elijah Price of Samuel It's amazing to see how he simultaneously gilded the almost cruel brilliance of a superior mind, with the puerile and childish innocence of those who live a construction of archetypes in a manner so religious, exclusively.
We have already seen in & nbsp; Closed Body & dquo; what novelty would this plot bring us?
19659004] It is somewhat innocent to imagine that conspiracy, unlike what trailers entail, if you move according to Elie 's woma – niatry. It's not just the "world of seeing" that they exist, but what it means.
Going beyond this could ruin the experience, but in a nutshell, the character of Paulson is the embodiment of disbelief. But more than disbelief, it's a refusal.
The question is no longer between heroes and villains, they exist, they know who they are, but between who has and who does not, the power. They are men against the gods, and Paulson incorporates this figure very well. It is not difficult for her, after all, she has already integrated characters with very similar traits in the series American Horror Story . Tell me, your staple looks like an amalgam of characters she's already done. It is not at all a demerit, especially because it is always a pleasure to see her on the scene, especially with her cheeky and direct, almost insolent.
It is revealed in dozens of characters and yet it is it. that
From the first image with the three colors taking their colors (purple for Price orange for Crumb and green for Dunn ) in the pink room, it was obvious that Shyamalan would abuse a fun and benevolent palette to give even more life to his already traditional
Combine, even in "Mexican paintings" ( the one in which the two actors speak, both looking at the direction of the camera – which always puts them in the place) that it makes everything make sense, be aesthetically beautiful. It's theatrical, but also emotional.
His love for images leaves us many pleasant moments to see, like in the basement hallway, the fight on the lawn, the revelation in the hall of objects, the delicious takes through the ceiling mirrors in the comic shop … all with a comic air that even the movies of the biggest competitors in the industry ( Marvel and DC ) have failed to deliver until then.
No explosions and epic fights
Shyamalan ends his masterpiece by embracing all the clichés, still anchored in the pbadionate texts of the believers (in the figure of [19459005Glbad), justifies them in the history that gives the breakeven point (in the construction of Crumb ) and goes beyond: it does not distort, but frees itself from all expectations in a redemption, conscious and au And all is so smart in its millions of shades of gray that the involvement of Casey, Joseph and Elijah's mother, the "buddies", our connection to the ordinary world – our world – shows the actual extent of the formation of the hero: it is not in the powers, but in what he does with these powers. The three actors have less importance in the work, which does not mean that I have less importance. The birth, the belief, the hope, the effort, the journey … all that has formed, as well as all that remains, each of these extraordinary beings is allied to an ordinary person: a mother , a son, an equal
The hero, as a villain, is a concept and not an end or a justification. It's more than one point of view, it's the cosmic balance (and here … ours, it's hard to talk without spoiling any surprise). I could spend hours talking about this movie (as in this SOBERBA trilogy!), But time is running out and space is limited by the patience of readers today.
In summary, & # 39; Glbad & # 39; date with mastery, emotion, justice and a lot of love, a story that reminds us what is the cinema and the art of writing a good story.
The last retouches of the track – it seems so natural and fluid in the plot that you forget that there is music – they still resonate in the ears and chest, while I remember the shards of glbad that rose on the black background of the credits
Much more than a good story, it is an extraordinary story
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