The Incredibles 2
"This sequence is part of a known situation: l & # 39; Universe where superheroes are neither new nor arouse admiration, they are rejected for their differences and the collateral damage caused during battles in the cities.This was also the premise of the first incredibles, and of the a series of productions that intend to insert supernatural characters into a realistic world – see the Steel Man, questioned by his destructions, or even the X-Men, excluded by their difference. Sexy By Accident is not a delicate work like Uncompensated, which promised a breath of irreverence in romantic comedies and a protagonist proudly bad-mad, but it turned out to be another copy of the old demo […] Commercial long-running network spinning SoulCycle, the feature film is not exactly harmful, relieving the premise "dangerous. But it's not funny either, captivating, exciting, pbadionate, supportive of diversity, or as inspiring as possible.
"There is not unanimous opinion on Sicario: No Man's Land, widely praised by many and considered overestimated to the same extent."
Sicario: Soldier's Day
is that Denis Villeneuve's film was nominated for three Oscars, did not stand out at the box office and ends very well, with no follow-up. […] Three years later, he hits the theaters Sicario: Día del Sol ] that does not return to the first impression provoked by the project. As a representation of the LGBT community, Berenice Procura reveals a remarkable breakthrough in relation to some well-intentioned national fiction, The Portraits of Sexual Orientation and Gender Identity Imagined by Fiterman are sensitive and naturalistic, with the right to a typically Rodriguan sub-plot aimed at deconstructing the image of the "traditional family" Brazilian, "that is, patriarchal and oppressive." Read the full review and press review.
"I do not think much about technique, I focus on characters and dialogues, but I do not think about the image." The phrase of the director Valerie Lemercier at AdoroCinema during an interview sounds like a heresy to the most enthusiastic formalists and moviegoers, but serves very well to describe this comedy – for the good and the bad. On the one hand, the filmmaker creates very interesting characters within a simple and simple comedy. On the other hand, his contempt for the aesthetic composition is frustrating. "Read the full review and press review Read the full review and press review
Beyond Man
" Beyond the Man is a movie difficult to clbadify. Judging by the poster, it looks like a fiery romance between Alberto (Sérgio Guizé) and Bethânia (Débora Nascimento). From the images of hands crossing cascades in a slow camera, it would act of a formalist and cerebral art film. But the trailer with pranked countrymen jokes and hot women looks like the popular atmosphere of Compbadionate Auto and Lisbela and the Prisoner. "
The Devil's Bow
19659005]" Divided into five chapters, the film follows two centuries of violence, oppression and prejudice, debating over the years relations between black officials and bosses white. In this sense, it is important to emphasize the choice of the same actor to interpret the owner of the farm over these 200 years. In an obvious but intelligent symbolism, the film shows that different blacks have been oppressed throughout history, but this white, in a way, was the same person. "
" In Auto de Resistencia the directors Natasha Neri and Lula Carvalho deal with several cases in which young people from the suburbs of Rio de Janeiro were murdered by police without the slightest involvement in criminal practices. The trials opened a series of irregularities on the part of the police: evidence against the victims, incoherent and false testimony, abuse of power, whose defense should have the "right to kill" without which it could not exercise profession "" Dramatic comedy should please many viewers along the road movie of lovingly pathetic people who end up making new friends and getting to know each other more and more about themselves. "
on the trip.This is not a very inventive or subtle trip, but it works inside a cinema of tenderness by eccentric types. […] In this regard, Oh Lucy combines sensitivity and condescension. "
Mount of Mount
The Sacred Hill, later named Morro do Castelo, was the site chosen by the Portuguese for the founding of the city of Rio de Janeiro, and its representative structure is an important historical and architectural reference of the city of Rio de Janeiro. urban reforms to promote real estate speculation in the region, destroying one of the main pillars of the history of Guanajuato